1. Download the After Effects version from the download page, unzip it and run the installer.
2. Open After Effects (2024 or newer), and at the top: Window → Extensions → EditFast AE.
3. Sign in with the same email and password as the site. If Premiere is on the same computer, the subscription counts the computer once.
4. Drag the panel beside the Composition so it stays in front of you while you work.

No need to turn on “Allow Scripts to Write Files” in After Effects’ settings — the panel works without it.

1. Open the comp you are working on, and select the layer if the request is about it.
2. Type what you want in your own words — say, “make this title bounce in, and put glass behind it”.
3. Choose Flash for simple requests and Pro for big ones; your balance is beside them.
4. It reads the comp, works with the panel’s tools, looks at frames of the result and fixes them. If it is going to run a script, it shows it to you first.

Everything it does is one undo step — Ctrl+Z takes all of it back. To have it work on a copy of the comp, turn on the switch under the chat.

1. Select the layer with the speech, choose the language, and press Transcribe.
2. Hover over any template to see it move with your words, and pick one of the 16.
3. Change the colour, frame and size from the panel, or later from the Captions Controls null in the comp — it changes every caption at once.
4. Want the commas and full stops gone? Press Remove punctuation, or have it done automatically.

Every line is a real text layer, in the right direction for its language — edit a word in it like any text. And you can export an SRT.

1. Select a text layer (or more) in the comp.
2. Choose the tab: In & out, Typing & numbers, Loop or Emphasis.
3. Hover over a card to see the motion on your words, and press it to apply.
4. In the settings: by word or by line, the length, the gap between words, and the order.

Arabic moves by the word so its letters stay joined. All the motion sits on the “EF Text” sliders in Effect Controls, to change later.

1. Select the layer for the effect — or select nothing and it goes on an adjustment layer for the whole comp.
2. Hover over a card to see After Effects draw it, and press to apply.
3. Glass and liquid glass build real layers and a control null with the width, height and blur.
4. Transitions go at the playhead — right on the cut — and you set their length from the panel.

Every effect is built from After Effects’ own effects — the project opens on any computer, with no other plugins.

1. Select the keyframes (or the whole layer) and pick one of the 14 curves — or drag the handles in the editor.
2. Anchor point: press any of the nine points and the layer stays where it is.
3. Align and distribute, a control null for the selection, stagger, fades, split at the playhead, and pre-compose.
4. And ready expressions: wiggle, loop, bounce, inertia and more, in one press.

1. Select the music layer and press Find the beats and add markers — the analysis runs on your computer.
2. Adjust the sensitivity if there are too many or too few markers.
3. Choose what happens on each beat: a shake, a zoom, a flash, a glow, RGB — or cut your pictures to the beat.

1. A new comp sized for Reels, TikTok, YouTube or a post, at the frame rate you choose.
2. Turn any comp vertical: the video fills the screen, or sits in the middle over a blurred copy of itself.
3. The safe zones for TikTok, Reels and Shorts go in as a guide layer — you see them while you work, and they never render.

1. Search for a shot or a picture and press Insert — it lands in the comp at the playhead, sized to fit.
2. Sound effects: describe the sound and it is generated and placed at the playhead.
3. Your library: your own folders, shared with the Premiere panel.

1. Sort into folders: Comps, Footage, Audio, Images and Solids — and what is already in your own folders stays put.
2. Find what is unused: it shows you, and deletes nothing until you say so.
3. Render an MP4 or high quality in one press, or send it to Media Encoder, and save the frame in front of you as a PNG.