Captions timed to the word, text animation, effects like Glass and Neon, motion curves — and EditFast AI building the animation from what you write. All from one panel inside After Effects, made with After Effects’ own effects.
It builds the title, the animation, the effects and the captions in your comp. Then say «make it gold», «bigger», «bounce in», «glass behind it» — and it changes the same graphic in front of you and looks at the result. When it is done, it is all ordinary layers and keyframes you can change by hand.
In the same order as the panel. Every one of them is also a tool EditFast AI can use.
An animator inside the panel. Tell it what you want; it reads the comp — layers, effects, keyframes and expression errors — builds with the panel’s tested tools, writes a script or an expression when it has to, and looks at the frames to check its own work. Anything it changes is one undo step.
Transcribes English or Arabic with a timing for every word, then lays real text layers — right to left for Arabic — in 16 templates with hover previews, one control null for size, colour and position, a button that strips punctuation, and SRT out.
26 presets — pop, bounce, blur, 3D flip, typewriter, scramble, number counter, highlighter — in, out or looping. Arabic moves by the word, so letters never come apart. Each one runs on sliders you can change afterwards.
29 looks and 8 transitions: Glass and Liquid Glass, glow, neon, light sweep, camera shake, glitch, RGB split, VHS, film look, light leaks. Built from After Effects’ own effects, each with sliders — the card previews are frames After Effects rendered.
A curve editor like Flow — 14 curves and handles you drag — written onto your keyframes as real bezier. Plus anchor point in nine places without the layer moving, align and distribute, a control null, stagger, fade, split at the playhead, smart precompose and ten ready expressions.
Listens to the music on your machine and drops a marker on every beat — then, in one click, a shake, zoom, flash, glow or RGB hit on each one, or your stills cut to the beat.
A new comp for Reels, Shorts, TikTok or YouTube in one click; any comp turned vertical with a blurred fill behind; and safe zones as a guide layer — you see them while you work and they never render.
Stock footage and stills, sound effects you describe, and your own folders — each lands in the comp at the playhead, scaled to fill. The library is shared with the Premiere panel.
Sorts the project into folders by type, lists what nothing uses (and removes it only if you say so), renders H.264 or ProRes in one click or sends to Media Encoder, and saves the frame as a PNG.
Rendered by After Effects from the panel’s own templates, every word on its time — and Arabic right to left, its letters joined. Hover a template in the panel and it moves with your own words.
Select a text layer, pick one. Each is built on a text animator with sliders, so the timing stays yours to change.
Glass, Liquid Glass, Neon, Glitch, VHS, a film look… one click each, with sliders to tune it. No paid plugins, so they open on any machine with After Effects.
Captures of the After Effects panel. Swipe or use the arrows to move through them.
Sign up and pick a term — the same account works for the Premiere plugin too.
Unzip and double-click the installer. It puts the panel where After Effects looks for it.
In After Effects: Window → Extensions → EditFast AE. Sign in with the same account and start.
Any term unlocks every tool in the panel — the editing tools with no usage caps at all, and EditFast AI with free credits on every plan.
After Effects 2024 or newer, on Windows and on Mac. From 2024 a script can set the direction and the text engine of a layer, which is what makes Arabic captions and titles come out right without fixing them by hand.
Yes. Text goes in right to left on the engine that joins the letters, Arabic animates by the word — never by the letter, so it never comes apart — the counter keeps Arabic digits, and the highlight box sits exactly behind Arabic words.
No. Every effect is built from After Effects’ own effects, so a project opens on any machine that has After Effects — yours or a client’s.
You write what you want in plain words. It reads your comp, uses the panel’s tested tools — captions, text animation, effects, motion — writes a script or an expression when it has to, then looks at frames of the result and fixes what is off. Anything it changes is one undo step, and changes to what already exists wait for your OK.
No. The plugin itself has no limit: every tool stays open for as long as you subscribe. Credits are for EditFast AI only, because every request runs a large AI model. Every plan comes with free credits, any subscriber can add a pack whenever they like, and credits never expire.
Each plugin has its own subscription, on the same account. If you want both, the full package costs 20% less than the two together and comes with more EditFast AI credits.
No. Projects and footage stay on your machine. Transcription sends the audio only, through our server to the transcription service, and nothing is kept — no key needed from you. EditFast AI sees the frames it asks to look at, nothing else.
If something is technically wrong, talk to us first and we will try to fix it. If we cannot, you get a refund within the first 48 hours.
By card, and it switches on at once. From Egypt you can also transfer by InstaPay or a mobile wallet and enter the transaction reference; it switches on as soon as we have checked it.
Transcribe, pick a template, and it is in your comp — every word on its time.
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